Eternal LIFE: Attentiveness

So much of our work as artists is bound up in conscious attentiveness. We must pay attention. We pay attention to choices and how they interact in our media, to colors, to light, to tone. Attentiveness leads us to a weary contentment when at last, in the moment of inspiration, our work transcends form and material. The burden of attentiveness becomes the artist's most auspicious exercise, perhaps because it points to the reality that the present moment is imbued with it's reflective worth in eternity. As Maria Fee wrote this week about our next InterArts which will feature an exhibition of her artwork, "We will seek to explore how Eternal LIFE is part of our present life as artists". But how can we cultivate our attentiveness in order to work with eternity in mind?


At lunch with International Arts Movement Executive Director Bryan Horvath this week, we lamented about the human tendency to be blissfully unaware of all the ways that God is working in and through the arts. It's all too easy to imagine that an artist who may have little regard for God's kingdom or the work of the Spirit is consequently disqualified as a conduit of divine presence and power. But God often chooses to work through such unsuspecting people and circumstances. Curious, isn't it? Could it be that one reason for this phenomenon is simply that everything which we call good work is empowered by the Spirit who blows like the wind and falls like the rain on the just and the unjust? And if this is the case then could it also be said that anyone who cultivates a careful observation of this magnum opus of the Spirit through conscious attentiveness to his good work in essence becomes a careful observer of the Spirit? From this viewpoint it's more than a little embarrassing that we who would, by the Spirit, seek to worship, honor and cherish him through an ancient & divine blood covenant are so often the last to notice his precious presence and activity. So, what's that about? How can we connect our conscious lives in the present to the Eternal LIFE of the Spirit such that our work in the present becomes a reflection to us of it's eschatalogical destiny?


Perhaps we can learn from actors in this matter. Let us look to the theater! Actors endeavor to be present in the moment of each scene while also being fully aware of and aspiring toward the play's culmination. The skill of the actor then is to employ their bodies and imaginations in the service of their character's highest ends with an acute attentiveness to every detail of staging, lighting, music, direction and their fellow actors. All of this must happen concurrent with a collaborative effort to move the story forward for the audience with a tremendous amount of focused intention until the dropping of the curtain. This proves even more difficult in film when the scenes are disparate, often shot out of order and over the course of several months. But is it possible in our real lives to be fully present, attentive and yet future-minded? Tall order huh?


It seems impossible to me, until I remember the words of Jesus to his disciples upon his departure from the earth, I am going to send you what my Father has promised; but stay in the city until you have been clothed with power from on high." (Luke 24:49). Jesus speaks here of the coming of the Holy Spirit and his instruction for his disciples is to wait in eager expectation even as the creation now waits for the Spirit of God to be revealed in human beings (Romans 8:19). Our conscious attentiveness, then, is no empty meditation but pregnant with anticipation of power from on high. It is the promise of Christ and the proof of his faithfulness (death on a cross) that becomes the subject of our attentiveness and the source of our power as we anticipate the culminating work of the Spirit in our world. We, like the disciples, must wait in the city for power from on high. And we do not wait in vain for God has shown us that he has held nothing back from us, pouring out his very essence even on those who reject him. Let's pray for eyes to see more of his magnum opus in the artists and industries to which we have been called. 


Kenyon

Kingdom Waiting

I’m always amazed how Jesus’ parables convey a kingdom not estranged from this world, but very much bound to it.  Despite the eschatological-end times dimension found in Matthew 25, the three stories within focus on the work accomplished in the present.  

In the first narrative we come across ten virgins awaiting the bridegroom in order to enter the wedding festivities. The wise maidens carry extra oil for their lamps. They are able to join the celebration unlike the five who missed the procession due to their search for fuel. The Scout Motto be prepare can be invoked here. The parable of the talents is the second narrative. A master, about to embark on a long journey, entrusts three servants with talantons, dispensed in proportion to their proficiencies.  Here, the good servant multiplies the wealth of the master.

The last tale ushers the listener into the future as the Son of Man sits as king on his throne. Here, we watch him separate people as a shepherd segregates sheep from goats. Those positioned to his right are ones who cared about earthly matters: they fed, clothed, cared.  Yet we must remember these humanitarian concerns are fueled by anticipation for the coming bridegroom, master, king; thus rendering them kingdom works.

Kingly people live life fully in the present, shaped and marked by a future. What, then, does it mean for the wise artist to be prepared? Are we hording, neglecting, or diminishing our talents or are we investing our time and energy to multiplying what the master has apportioned? And, most importantly, does our wisdom and entrepreneurial skills work to re-establish the best of humanity?

If Jesus is the good king his priority becomes care of his kingdom. A thriving kingdom provides the basic needs for its inhabitants; therefore, by seeking human flourishing through our practice of medicine, economics, law, or art, we become kingly servants.

It took the life, death, and resurrection of Christ to re-establish humanity. Let’s follow his lead as we wait for him, the bridegroom, master and king.

--Maria

Longing And The Spirit Life

Fresh Pair of Eyes

'Cause I want to be seen
With a fresh pair of eyes
The single white tree
In a black hood of disguise

I want, I want to be seen
With a fresh pair of eyes
The single, the single white tree
In a black hood of disguise

I miss God, I miss God
I miss God, I miss God

-Brooke Waggoner

Longing is one of the visceral affects induced by Wim Wenders’ film Pina. Pina Bausch’s choreography beautifully, and at times with forceful asperity, depicts the body reaching for what lies beyond. Leaving the theater one cannot help but address our hollowness set beside such hallow-ness.

I miss God, I miss God
I miss God, I miss God

The songstress, Brooke Waggoner, also elicits yearning. Longing comes from diagnosing what we miss. Like the Psalmist, we need to voice our apprehensions acknowledging God all the while. To be spiritual means to live and work in the realm of the Spirit—God’s own presence in the world. Through Jesus we are given the Spirit in order to grasp God’s holiness and righteousness. This happen in spite of how we live in the mire of our own muck. When we receive mercy, we know God is near.

The Spirit gives us “a fresh pair of eyes” to enable true relationship with the triune God, with others, and with the physical world. Steven Guthrie relates how “Apart from God’s Spirit, we sink further away from our humanity.” (Guthrie, Creator Spirit, p.36) According to Guthrie this is why the Spirit allows us to see God through artists like Pina Bausch who is able to trace and recover genuine human movement. God’s Spirit does not de-humanize, instead it reorders and transforms our human desires so that we may see Him. In fact, it is because of Jesus’ humanness the Spirit can reveal what has been missed under sin’s "black hood of disguise."

The Spirit life, therefore, is a life dependent on our triune God. Our work must be handed over to Christ’s renewing love that reconciles all things. Cultural renewal comes out of Spiritual restoration. Perhaps Ms. Waggoner also comes to this realization when she croons in her song Wonder-Dummied how “I tried my best alone but it got me nowhere and I can’t do it on my own.” True longing erupts in God’s accepting presence for we finally sense our own inadequacies, “Oh to be of the purest of pure in his arms,” Ms. Waggoner aches:

But I’ve never felt this feel so heavy
And I’ve never felt this feel so low
Yeah it is a wake inside my whole soul
But you are my strength I won’t stand alone

The Christian artist works in the medium of painful longing for we are given the Spirit who directs us ahead to what should be, what can be, what will be. This is why Colin Gunton understands the Spirit’s action as eschatological. The Spirit works to perfect “the particulars by relating them to their source and destiny.” (Gunton, The One, The Three, And The Many, p. 212). Let us not be overwhelmed by the heaviness of longing, but relate it back to its source and destiny for ultimately it is God we seek.

Please join us at InterArts Fellowship on April 16^th when Brooke Waggoner, along with William Edgar, will help us to further examine the Spirit Life.

--Maria