Redeemer Arts

Redeemer Presbyterian Church, New York City

Friday, February 18, 2011

Art Matters for God's Sake

“Art Matters for God’s Sake,” is Adrienne Chaplin’s title for the next Gospel and Culture lecture and the impetus for this reflection. The assertion that art matters to God is interesting when our society tends to vilify the arts as something elitist, frivolous and impractical. Now, I have known for quite some time, art matters for my sake. Personally, art making has provided a much needed emotional space equivalent to the junk drawer most people possess. I take great comfort in knowing I can take time from my busy schedule and dump a whole bunch of emotionally charged things in one safe place. So, how, exactly, does art matter for God’s sake?

Yes, yes, there is all that beauty and poetry and stuff that draws me closer to God. Again, this is art for my sake; how exactly does art matter for God’s sake? Is it the liturgical art we offer to God in worship that matters? Or does art that matters for God’s sake take form as cultural goods? Why not both? I can think of one example where both are true, Camille Paglia in her lecture “Religion and the Arts In American” writes, “One of the most brilliant products of American creative imagination, hymnody has had a massive global impact through popular music.” Paglia goes further to remind us, “Where ever rock ‘n’ roll is played, a shadow of its gospel roots remain.” Paglia traces a root of urban black rhythm and blues back to the “ecstatic, prophesying, body-shaking style of congregational singing” that was characteristic of American revivals.

Okay, so a whole bunch of people who fell in love with God at the same time needed to somehow express that love together. These days it’s crazy to think how our country’s musical history was shaped by worship. But it’s not really crazy when we begin to enumerate all the great art and architecture that was made precisely to draw people together to worship God. No wonder Paglia goes as far to say the “route to a renaissance of the American fine arts lies through religion.”

I guess I could continue and come up with a hefty list of why art matters to God, I’m sure you have a few things to add, too (feel free to do so). For now consider this entry as a teaser for Adrienne Chaplin’s lecture. Please join us on February 27, 1:00pm at Hunter College, to take into our own beings—to reflect on, why art matters to God. Who knows, maybe this event will lead to that renaissance Paglia was speaking of?

Friday, February 11, 2011

Our Future Is Now

Sometimes believers work hard at being spiritual, forfeiting the reality of their humanity. Jeremy Begbie, on the other hand, believes it is by the Spirit we grow more authentically human (Begbie, Voicing Creation’s Praise, p. 118). The resurrected life of Christ brings meaning and hope to our bodies—to being human. This hope, according to Gordon Fee, is empowered by Jesus’ resurrection and the gift of the Holy Spirit, which stamps believers with eternity (Fee, Listening to the Spirit in the Text, p.140). As Christians we basically live life geared towards the eschatological—a life imbued with our final outcome—an age when we’ll continuously glorify God in our full Spiritual bodies. According to Fee the early Hebrew believers understood this new age as the life of the Spirit—a fulfillment of a long awaited promise. Artists, we are privileged to live a life filled with the Spirit, looking ahead towards eternity.

What does this mean for artists working in the 21St century? We must commit to human flourishing. Spiritual renewal is tied to cultural renewal. Having a relationship with Jesus, through the Spirit, enables us to see the world the way God sees it. But it is not enough to keep these visions in our heads. Nicholas Wolterstorff insists “that there is in man a deep dissatisfaction with merely holding in mind his religion.” There is a human longing to make our convictions concrete through song, sculpture, or drama (Wolterstorff, Art in Action, p.145).

It is our job to project through our creations a world that includes the reality of Christ’s glorified wounds. Spirituality can bear the marks of pain and suffering only because they already live with Jesus in the eternal realm. This is true beauty.

Love Jesus, be spiritual, make art.

Maria

Friday, February 4, 2011

Exploding Destiny

When Christ, Who is Your life, appears, then you will also appear with Him in glory -Colossians 3:4



I love what some of the great theologians have said about Paul’s radical claims of hope for our lives and destiny in view of the gospel. Reflecting on Colossians 3:4 John Calvin writes, Here we have a choice consolation -- that the coming of Christ will be the manifestation of our life. John Wesley, the great Methodist theologian, sounds almost astonished as he writes,The abruptness of the sentence surrounds us with sudden light. Our life - The fountain of holiness and glory. Shall appear - In the clouds of heaven. Wesley seems to echo Christ’s own words in John 7:38 when He winsomely remarks, Whoever believes in me, streams of living water will flow out of him. What could Jesus possibly mean when he says that if we believe in Him we will become some kind of spring or fountain of life?


In George C. Wolfe’s play The Colored Museum, Junie Robinson, known as The Soldier with a Secret, attempts to describe the look on a dying man’s face. He says, All the hurtin’ that was gonna get done to em and that they was gonna do to other people was right there clear as day…but when He died, all that hurtin to come just left his face…He finishes the eerie soliloquy by speaking directly to the audience with a whisper: I know the secret to your pain.


What George C. Wolfe is hinting at in this vignette is that the only way to be free of all of the brokenness of this world is through death. And he’s right. But Paul in Colossians 3 says that if you believe in Jesus and the hope of the gospel then you are already dead to this world and you have a life that is being kept safe for you with God. Colossians 3 shows us that Christ is the source of all the good that will ever come from your life or that you will ever taste in this life, though for now it is only a taste. Haggai 2:7 calls Him the desire of nations. In the Psalms King David sings, As the dear pants for water so my soul pants for you… and …My body longs for you in a dry and weary land where there is no water. David realized that all of his greatest desires in life were actually longings for Christ Himself.


As artists, we are fortunate to taste Christ’s beauty and glory in relatively small portions here and there through making and enjoying good art. But the hope of the gospel is that if you believe in Christ, then one day not only will pain and death have no power over you, not only will you be in the presence of the source of all goodness, but you yourself will become a source of the ultimate light and glory. At once, in His presence, all our longing for Him will be so overwhelmingly satisfied that we ourselves will burst forth in an explosion of New Life, a detonation of generative potential.


How can we as artists live and work in view of this great hope? Can we, through the power of the gospel, create flares and bursts of the coming explosion when we will be made new? God hasn’t given up you or your art, He intends to make you more prolific than you can imagine…In the gospel, you have an exploding destiny.



Kenyon