Redeemer Arts

Redeemer Presbyterian Church, New York City
Showing posts with label Jonathan Edwards. Show all posts
Showing posts with label Jonathan Edwards. Show all posts

Friday, February 17, 2012

Just Practicing


Participants of the last writers vocation group took upon the task of a writing exercise that responded to an excerpt from Jonathan Edwards’ The Spirit of Charity the Opposite of a Selfish Spirit. The aim was to engage in theologically reflection through the process of writing. We examined the fall of man from his “exalted, and noble, and generous” rank to that of being “debased, and ignoble, and selfish” and how “Christianity restores an excellent enlargement, and extensiveness, and liberality to the soul, and again possesses it with that divine love or charity.”

The following responses were written within the time limitation of fifteen minutes. I’d like to thank each person for sharing the product of this experiment and for leaving behind a creative reminder of our time our together. The creating and sharing of art in community should be one of the hallmarks of the church. These actions can become corporate practices that would not only illuminate the different ways we see God working in the world, but also exercise the rusty creative muscles of believers. Let’s strive to be more imaginative, inventive, and inspiring.

--Maria

From Raymond Chao:

He is called the First Man. He steps firmly with his naked foot upon the black, rich soil. He breathes deeply and releases a meaningful "Ahh" - a sigh, that is not of relief, but satisfaction. "Go forth," is the command given him which he remembers, cemented in the folds of mind.

"Come before me!" he bellows from the cliff overseeing the luscious land. The sun is beating down with liquid energy, breezes transporting the sweet, sharp smells of nectared flowers. Soon, he hears the trample of hooves, the shaking of tree branches, the calling horns and screeches of his dominion. The First Man smiles.

He begins to name them, so they will know when they are called upon. He orates until dusk, and soon the community of beings prepare for night's rest. Then, the First Man turns as he feels the gentle rumble and approach of Majesty. Here is the great I AM. "Sleep Adam," and he lays on the soft grasses almost woven and imperceptible. The Holy Father thrusts with great might and momentum into the First Man's torso, but he does not even flinch in his shut rest. A single bone is removed and floats vertically upright. It slowly turns in presentation, beautiful depiction. Soon, it has gradually begun spinning faster, glowing, growing like a prolonged elliptic orb.

Woman spins.

From Christian Costeines:

We had it all,

paradise and warmth
exposed and unashamed
adventure and bliss, rolled together
not at odds

We lost it all
safe warm acceptance
eternal companionship
the eye of favor
by the loving Father

Replaced by pride
the endless toil
to justify our just deserts
sprung forth from minds
abased, deluded
twisted illusion
of self sufficience.
The isolation and competition...

Yet steps in the midst
Faithful rescuer
Loving brother
To show the way
To be the way
Restored the way
Will we abide
His loving woo?
A path returned to
The living pool.

From Anna Letton:

prompt -> "ubermensch, the Fall, the rich transformation of redemption"

Sometimes God makes me feel like an athlete. Like a swimmer or long-distance runner - someone who could take a deep breath and exhale, and you'd feel the sunlight tremble with her vitality. On these days, I still know that if I have to run for the bus, I'm going to get palpitations and lie gasping at last on the molded orange seat like a hooked tuna... but I feel the inner power in me. I remember someone I have not yet been - a superwoman, a tree-climbing, confident-limbed Eve. She fears not. She believes. She was, she will be, made sound.


Wednesday, February 17, 2010

The Good of Art

Jonathan Edwards poetically expressed how the creation of the world came into being as an overflow of the relational love dynamically expressed among the persons of the Trinity. The material world is the manifestation of the active love present within God’s own triune being. Is it any wonder, then, that God consecrates his creative outcome in Genesis 1 as good? In a similar manner Colin Gunton understands God as the ultimate artist creating for love’s sake. He believes, “creation is a project, something God wills for its own sake and not because he has need of it” (The Cambridge Companion to Christine Doctrine, p.142). Creation then is intrinsically good in and of itself as an outpouring of God’s own love and beauty. Therefore, Richard Viladesau is correct to exclaim, “To experience beauty is to experience a deep-seated ‘yes’ to being” (Theology and the Arts, p.42).

One beautiful aspect of art is its ability to operate on many levels. Art reveals, inspires, and heals. It facilitates in a sensory way mediation of the world and our experiences in it. Art also reserves the power to elevate, motivate, and touch us in deep and meaningful ways that mere communication of facts cannot produce. Most importantly, art reminds us what it means to be human while at the same time discloses the divine and the transcendent—what is beyond us, what we hope for. But to continue to list the human benefits of art becomes a bit of an apologetic appeal. In our rationalistic society, pragmatism tends to rule and there is little room for art. We must therefore take the paradigm of God creating the world in and through love, not because he needed to, but because the constitution of love is generative and giving. Love and beauty beg for regeneration. Art is a gift to be given away, to inspire more works of art and to provide hope and meaning.

If it is true that art is self-expression as well as a reflection of the community it comes from, is it not likely that our work, our artistic creations as those who have a relationship with God, also contains the aroma of Christ? Despite the troubles and tribulations of our lives (that may also be evident in our art) Christ leads us in “triumphal procession,” and according to 2 Corinthians 3:14 distributes through us a fragrance—a sensory knowledge of himself. The love of God is so active it pours over us and inundates us with a scent. A scent, though not seen, is physically present—sometimes even discerned by taste. This presence clings to us, latches onto our work. Christians, therefore, should continue to participate in artistic actions not because they are necessary, but because love bids them to do so.
--Maria