Redeemer Arts

Redeemer Presbyterian Church, New York City

Friday, April 6, 2012

Not As The Flowers


It was not as the flowers,

each soft Spring recurrent;

it was not as His Spirit in the mouths and fuddled

eyes of the eleven apostles;

it was as His flesh: ours.

-John Updike, Seven Stanzas at Easter, Stanza 2

The lilies that will adorn our churches this Sunday are redolent of fresh life, yet for Updike this symbol is much too subdued. Christ’s resurrection signals so much more: we can forget about Easter fineries, for we will one day wear Spiritual bodies. And just like the angel at the tomb in John Updike’s poem, Seven Stanzas at Easter, we will be weighty, “opaque in the dawn light, robed in real linen, spun on a definite loom.”

The resurrection indicates a new way of being. A life animated by the Spirit, tabernacle in a physical body— the earthbound people of God. Easter for artists signals the re-creating capacity set into motion by our Triune God: the Father’s undying love, spurs the Son’s self-giving, and the Spirit’s creative activity overcomes death for all. For artists this dynamic movement reverberates into our own lives as we continually advocate and sacrifice for art to then experience some semblance of renewal. If our God re-creates out of brokenness, even death, please consider this Easter what this means for your art. “Let us walk through the door:”

The stone is rolled back; not paper-mâché,

Not a stone in a story,

But the vast rock of materiality that in the slow

grinding of time will eclipse for each of us

the wide light of day.

-John Updike, Seven Stanzas at Easter, Stanza 5

--Maria

2 comments:

  1. I get a renewed spiritual life when my five senses commune with the natural world. In places where sky meets water and rocks I am most happy. Like the cycle of seasons, my spirit moves with nature, until the threshold of life will one day change and I will travel by Grace with the Holy Spirt, the Son and the Father to an eternal Easter Season, and fish with Christ.

    terry martin
    artist, fisherman, father and friend

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  2. We can now be relational with the Almighty through the language of our work. In A River Runs Through It, Norman Maclean philosophizes on the spiritual qualities of fly-fishing, which reveals another expression of this relational access to God. He writes:
    …By picking up God’s rhythms we’re able to regain
    God’s power
    and beauty.
    All good things come by grace
    and grace comes by art
    and art does not come easy.

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